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Aidan Turner Kili. John Callen Oin. Peter Hambleton Gloin. Jed Brophy Nori. Adam Brown Ori. Ian Holm Old Bilbo. Elijah Wood Frodo. Hugo Weaving Elrond. Cate Blanchett Galadriel. Christopher Lee Saruman the White. Sylvester McCoy Radagast. Andy Serkis Gollum. Peter Jackson Director. Carolynne Cunningham Producer. Zane Weiner Producer. Fran Walsh Producer.

Peter Jackson Producer. Alan Horn Producer. Toby Emmerich Producer. Ken Kamins Producer. Carolyn Blackwood Producer. Fran Walsh Writer. Philippa Boyens Writer. Peter Jackson Writer. Guillermo del Toro Writer. Included in These Collections. See All Accessibility Closed captions CC refer to subtitles in the available language with the addition of relevant non-dialogue information.

Roast Mutton is about bringing the iconic troll scene to life on screen in Trollshaw Forest. It was interesting to hear how Jackson needed the crew to do a reset after a short time to accomodate a different look for the scene, and it required the entire crew from all departments to pitch in to make it happen in record time.

Here we also see some of the motion capture filming used for the trolls--who were voiced and acted by three of the actual dwarf actors too. We also see how the actors had to do the grueling "dwarf kebabs" shot where the actors were bolted onto a log over the fire.

Bastion of the Greenwood is all about the character Radagast The Brown. Jackson told the team he wanted "enormous rabbits" to pull Radagast's sleigh and the crew found that to be rather silly It's pretty fascinating how they accomplished it.

They show the dwarves beside their scale double stand-ins who also wear face casts of the actors to look more like them , and Cate Blanchett is shown making her return as well. It's pretty interesting to see a sequence when Blanchett, McKellen and Jackson call co-writer Fran Walsh on the phone to discuss changing a scene on-the-spot due to some discussion about it.

Here we also learn that Christpher Lee Saruman couldn't make it to the New Zealand shoot due to his health, so they filmed his scenes against a green screen to splice into the Rivendell scenes later. The cast and crew then gush over the legendary actor and reflect on how many great stories he has to share about his life.

Finally, we see Elijah Wood's return as Frodo, complete with him putting on slip-on hobbit feet as opposed to the attachments in the first trilogy and filming with Ian Holm again as elderly Bilbo. Under Hill focuses on Goblin Town. Here we see some of the evolution of the goblins' design -- from people in suits some with animatronic faces that Peter later scrapped in favor of CG to them being shown as entirely CG designs.

They candidly talk about the camaraderie of the goblin actors and how they created their own dance number out of boredom. Peter brought the actual car from the movie Chitty Chitty Bang Bang which he owns to the set to get the team excited for the shoot, and then went on location.

Here, we see Elijah Wood rejoining the crew for his on location shooting, including his "last" last shot from Lord of the Rings , and we briefly see some footage from his final moments on set over ten years ago. Finally, it's quite moving to hear Martin Freeman talk about the Make-A-Wish foundation guests who were given the chance to visit the set to meet the actors on location in Hobbiton.

The Epic of Scene 88 - This curiously titled portion is named for the extended sequences of running that was filmed for the actors as they're being chased by Wargs. The actors humorously express their resentment for this sequence here 1 "J-sus Chr-st". The Battle of Moria took 10 days to shoot as opposed to the originally planned 2 days.

And they deliberately planned for the battle to take place outside the same place that Frodo and the fellowship exit Moria in Fellowship of the Ring. Edge of the Wilderland is about filming pickup shots to add to the film, like changing the ending to have Bilbo save Thorin from Azog, a scene between Elrond and Gandalf, and Peter Jackson's cameo as a dwarf.

They also talk here about how Jackson can tend to be mischievous on set and show some evidence of this. Lastly, we see them filming the final scene on Carrock, as well as the very last shot of the movie complete with an unexpected expression of appreciation for Freeman. And then we're shown the end credits Disc Three: Appendecies 8 Return to Middle-Earth The Company of Thorin - The second disc is less about filming specific scenes and more about the actual production and design of sets and characters.

We get some great original audition tape footage here as well as test videos of their acting without makeup. Each actor tells the story of how they were cast, too, and it's heartwarming to hear just how excited and appreciative they were to get the job.

The section is also split up into 6 chapters by family groups of the dwarf characters, so we hear how they fleshed out the characters and gave them more distinct personalities than the J. Tolkien novel suggested. Mr Baggins: The 14th Member is all about the title character of Bilbo. The filmmakers admit that they never thought of anyone else for Bilbo but Martin Freeman. But his committments to the BBC TV series Sherlock almost made it impossible for him to do the film, so they tried to find another actor to replace him.

After they realized that Martin is still their main choice, they decided to work around his schedule to make it work--even if that meant him leaving the production for 3 months. Martin and Peter talk about working together to find the right beat for Bilbo. And Martin and McKellen individually voice their questions about what Bilbo's sex life would be like?! Very random.

We see some really great alternate takes of Martin acting in different ways as Bilbo. Jackson admits that Martin gave so many good takes that it was very difficult to pick from them for the finished film. Very oddly enough, we get an extended montage of Martin Freeman flipping his middle finger at the camera in full Bilbo garb throughout the entire production of the film It's meant to be a joke, but it feels kind of over-the-top to include here especially since he actually looks angry doing it and some viewers are likely to take it the wrong way.

Also 2 "S" words here, as well as some bleeped "F" words Durin's Folk: Creating the Dwarves focuses on the design of each dwarf from the beginning with each concept all the way to their completion as the final versions. They discuss getting their proportions right, donning fat suits, prosthetic facial features and arms, and the cast seeing their designs for the first time in January of We see some makeup tests, learn that their beards were made of yak hair, and see the evolution of their appearances.

Finally, we see the design of their individual weapons and hear about how they combatted the heat of their costumes with cooling suits underneath that they could plug into between takes, and air conditioned tents they could also rest in. It opens with a segment about the troll designs for the iconic scene as mentioned in part on the first bonus disc. We see the three dwarf actors recording their voices in the studio for this segment and acting the scene out in their motion capture suits.

A good portion here is dedicated to the goblins' design and how Peter wanted a completely new look for these underground dwellers. Some of the designs are especially scary and grotesque and they show us a lot of design concepts. We're also shown the Goblin King and his design and actor Barry Humphries' motion capture acting. Finally, the segment talks about the character of Azog and how the storytellers here kept him alive when the book had killed him off originally.

They show an extensive evolution of his design, and how they ultimately finished him as a fully digital character in post production because they couldn't agree on a single design before filming.

This is mostly about the design of each set location and what went into that process. First we see the rebuilding of the on-location Hobbiton in New Zealand and then see Bilbo's Bag End house set which Jackson admits is his favorite set.

We then see Radagast's house design, and how it was built to look as though a tree grew right through the middle of his house, and then move on to Rivendell. For the elf town, we see that it's much more full of life than it was 60 years later in LOTR.

It was dark and dilapidated in the first trilogy, so the art department had a grand time designing it to be alive and lighter in appearance. We then hear about the look of the Stone-Giants on the Misty Mountain and the intricate design of the goblin town 1 "S" word. Finally, The Songs of the Hobbit and its Credits close this documentary.

It begins by mentioning the songs sung in the LOTR trilogy and then moves into the featured songs, including "Blunt the Knives" and the "Misty Mountains" theme. As such, we get to hear some interesting alternate versions here and see footage of the dwarf actors singing together and recording it.

They also talk about the Elvish songs and Howard Shore's musical score a little. They touch briefly on the "Goblin Town" theme that's heard mostly in the Extended Edition and how Humphries got to sing that and, finally, discuss the "Misty Mountains" theme getting a new take from artist Neil Finn to sing over the credits and his appearance at the premiere.

Overall, these two bonus discs present some incredible and largely intriguing bonus footage for Hobbit fans to enjoy. It's extensive and revealing from a filmmaking sense but keep in mind that the theatrical release on Blu-Ray from earlier this year included the online blog production videos and this set does not.

Those who love bonus features really can't get any better than what's included on The Hobbit: An Unexpected Journey - Extended Edition.

The Hobbit: An Unexpected Journey - Extended Edition - for extended sequences of intense fantasy action violence, frightening images and fleeting nudity.

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